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Collection:
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The AMICA Library
Collection
The AMICA Library
Collection
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Creator Nationality:
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Asian; Indian Sub-Continent; Indian
CRC
Asian; Indian Sub-Continent; Indian
Creator Nationality
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Creator Name-CRT:
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Gandharan
CRT
Gandharan
Creator Name-CRT
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Title:
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Head of Buddha
OTN
Head of Buddha
Title
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View:
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Full View
RID
Full View
View
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Creation Start Date:
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167
OCS
167
Creation Start Date
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Creation End Date:
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299
OCE
299
Creation End Date
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Creation Date:
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Kushan period, late 2nd-3rd century
OCT
Kushan period, late 2nd-3rd century
Creation Date
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Creation Place:
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Pakistan, Gandhara area
OCP
Pakistan, Gandhara area
Creation Place
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Object Type:
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Sculpture
OTY
Sculpture
Object Type
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Materials and Techniques:
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Phyllite
OMD
Phyllite
Materials and Techniques
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Dimensions:
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H. 14 1/2 in. (36.8 cm)
MET
H. 14 1/2 in. (36.8 cm)
Dimensions
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AMICA Contributor:
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Asia Society
OON
Asia Society
AMICA Contributor
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Owner Location:
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New York, New York, USA
OOP
New York, New York, USA
Owner Location
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ID Number:
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1979.002
OOA
1979.002
ID Number
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Credit Line:
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Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
OOC
Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
Credit Line
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Rights:
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http://www.asiasociety.org
ORL
Rights
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Context:
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Most of the earliest known images of buddhas and other Buddhist deities were produced in northwest India during the Kushan period, about six hundred years after the religion was founded. There were two major centers of Kushan culture, each with its distinctive style: art from the city of Mathura in Uttar Pradesh displays a traditional Indian aesthetic, while art from Gandhara shows the impact of Hellenistic and Roman sculpture, owing to the sustained effect of Alexander the Great's conquest of the region in the 4th century BCE. The influence of Greek and Roman prototypes is evident in the wavy hair and facial features of this Buddha's head from Gandhara. However, the elongated ears and physical marks such as the urna ("third eye") in the center of his forehead are long-established Indian aesthetic conventions.
CXD
Most of the earliest known images of buddhas and other Buddhist deities were produced in northwest India during the Kushan period, about six hundred years after the religion was founded. There were two major centers of Kushan culture, each with its distinctive style: art from the city of Mathura in Uttar Pradesh displays a traditional Indian aesthetic, while art from Gandhara shows the impact of Hellenistic and Roman sculpture, owing to the sustained effect of Alexander the Great's conquest of the region in the 4th century BCE. The influence of Greek and Roman prototypes is evident in the wavy hair and facial features of this Buddha's head from Gandhara. However, the elongated ears and physical marks such as the urna ("third eye") in the center of his forehead are long-established Indian aesthetic conventions.
Context
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Related Document Description:
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Asia Society. Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection. New York: Asia Society, [1981], p. 7.
RDD
Asia Society. Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection. New York: Asia Society, [1981], p. 7.
Related Document Description
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Related Document Description:
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Czuma, Stanislaw J. Kushan Sculpture: Images from Early India. Cleveland: Cleveland Museum of Art, 1985, p. 200.
RDD
Czuma, Stanislaw J. Kushan Sculpture: Images from Early India. Cleveland: Cleveland Museum of Art, 1985, p. 200.
Related Document Description
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Related Document Description:
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Heeramaneck, Alice N. Masterpieces of Indian Sculpture from the Former Collections of Nasli M. Heeramaneck. New York: Privately printed, 1979, fig. 10.
RDD
Heeramaneck, Alice N. Masterpieces of Indian Sculpture from the Former Collections of Nasli M. Heeramaneck. New York: Privately printed, 1979, fig. 10.
Related Document Description
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Related Document Description:
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Newman, Richard. The Stone Sculpture of India: A Study of the Materials Used by Indian Sculptors from ca. 2nd Century B.C. to the 16th Century. Cambridge, Mass.: Harvard University Art Museums, Center for Conservation and Technical Studies, 1984, pp. 57, 82, 84.
RDD
Newman, Richard. The Stone Sculpture of India: A Study of the Materials Used by Indian Sculptors from ca. 2nd Century B.C. to the 16th Century. Cambridge, Mass.: Harvard University Art Museums, Center for Conservation and Technical Studies, 1984, pp. 57, 82, 84.
Related Document Description
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AMICA ID:
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ASIA.1979.002
AMICOID
ASIA.1979.002
AMICA ID
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AMICA Library Year:
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1998
ALY
1998
AMICA Library Year
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